More on Avila Wedding Saint John Cantius Chicago

Saint John Cantius Chicago.jpg
I have selected some more photos from Frank Avila’s wedding that I wish to share. The mass was a traditional Latin mass. I was speaking with guests after the mass and I commented regarding the length and complexity of the service. I was not the official photographer, but it was an honor to be asked. The Church was astounding, the complex and religious artwork is stunning. Please see this Chicago Classical Church’s Website, click here: I suggest if you want a wedding to remember, make this church your choice. The old world craftsmanship is everywhere. Photo by Patrick McDonough.

7 Replies to “More on Avila Wedding Saint John Cantius Chicago”

  1. This is a great Church.

    The Old Latin Mass with the chanted music is beautiful. Very reverent and introspective.

  2. I have returned to the Church after 9 years.

    (Response) I did the spell check for you. No Charge.

  3. I am glad that His Holiness Pope Benedict XVI implented the Motu Propio and is allowing the Traditional Latin Mass.

    The Avila wedding was just gorgeous and very reverent as are all liturgies with the Canons Regular of the Society of Saint John Cantius and the Hospitlaters.

  4. Dietrich von Hildenbrand also has an excellent book Liturgy and Personality.

    The Beauty and Spirituality
    of the Traditional Latin Mass

    by David Joyce

    (The Holy Mass as referred to in this essay is the traditional Latin Mass
    of the ancient Roman rite, as celebrated until 1965 in the Latin Church)

    It is the Mass that Cardinal Newman, the leader of the Oxford movement into the Church, said that he could attend forever, and not be tired. Father Faber, priest of the Brompton Oratory in the last century, described the Mass as the “most beautiful thing this side of heaven”, and he continued:

    “It came forth out of the grand mind of the Church, and lifted us out of earth and out of self, and wrapped us round in a cloud of mystical sweetness and the sublimities of a more than angelic liturgy, and purified us almost without ourselves, and charmed us with the celestial charming, so that our very senses seemed to find vision, hearing, fragrance, taste, and touch beyond what earth can give”

    Father Adrian Fortescue, a great English liturgical historian, has said that the Mass of the Roman rite is the most venerable rite in Christendom.
    Pious Popes, too, have often wondered at the majesty of the Mass. Pope Clement VII said in 1604:

    “Since the Most Holy Sacrament of the Eucharist by means of which Christ Our Lord has made us partakers of His sacred Body, and ordained to stay with us unto the consummation of the world, is the greatest of all the Sacraments, and it is accomplished in the Holy Mass and offered to God the Father for the sins of the people, it is highly fitting that we who are in one body which is the Church, and who share of the one Body of Christ, would use in this ineffable and awe- inspiring Sacrifice the same manner of celebration and the same ceremonial observance and rite”

    and Pope Urban VII in 1634 said:

    “If there is anything divine among man’s possessions which might excite the envy of the citizens of heaven (could they ever be swayed by such a passion), this is undoubtedly the Most Holy Sacrifice of the Mass, by means of which men, having before their eyes, and taking into their hands the very Creator of heaven and earth, experience, while still on earth, a certain anticipation of heaven.
    How keenly, then, must mortals strive to preserve and protect this inestimable privilege with all due worship and reverence, and be ever on their guard lest their negligence offend the angels who vie with them in eager adoration!”

    The Mass! What a treasure! Christ’s very own sacrifice on the cross left for us wrapped in an act seeping with beauty and divine celebration. Below I describe a few of its important qualities that set it apart in this day and age, that truly make it “the most beautiful thing this side of heaven”.

    1. The Silence of the Canon

    The entire Canon of the Mass is devoid of any vocal sounds, other than one phrase “Nobis quoque peccatoribus” where the priest strikes his breast, emphasising his own sinfulness and unworthiness of celebrating such an unspeakably divine action. The only other sound is when the bell is rung, initially at the “Hanc igitur” as a warning bell to inform the faithful of the impending consecration, and then three times at each consecration: when the priest genuflects before the divine oblation, when he raises the divine victim in an elevation of worship and adoration, and finally when he genuflects again. Otherwise, complete silence.

    Why this silence, when the canon is the most important part of the Mass? Simply because of that fact. The canon of the Mass joins the earthy sphere to the heavenly sphere. Christ’s sacrifice was performed once and for all; it can never be repeated as it was the eternal and perfect sacrifice to end all sacrifices. However, since the victim and the priest was God, the person of our Lord Jesus Christ, the effects are infinite: the entire human race was redeemed wherever they lived, regardless of time or space. But an important fact is that the act that Christ performed was placed within His creation, and at a particular point in time. Therefore, for the sacrifice of the cross to become effective universally over all time, it needed to be perpetuated through the ages by a priesthood acting in the person of our Lord and presenting His sacrifice anew to a new generation. This is why Christ built His Church: to bring forth the graces of the incarnation, to prolong it and “make present” its effects to all people. The sacrifice of the cross, and the consecration in the Mass, are timeless entities in a temporal world.

    The silence, therefore, enables us to transcend our present existence and become present at the foot of the cross itself. Our senses, so active in the outside world, are suppressed so that our soul can touch the divine presence of God on the altar, so that we may be lifted up with the oblation to the altar of God Himself in heaven, surrounded by all the Hosts and angels in constant prayer and adoration. We, in effect, dip our toes into the pool of eternity, no longer limited by our earthly existence in time and space, but instead become one with our Lord in offering ourselves to God the Father in the one perfect act of self-giving, love and adoration.

    Our senses are not totally silenced though. Through our eyes, we see the Holy Victim raises up to the Father in the form of bread and wine; closing our eyes we see the cross above us and the angelic party beyond. In our ears, we hear the ringing of bells, confirming what we see and what we feel in our hearts. In our nostrils, we smell the sweet odour of incense, floating up to heaven accompanying the Victim to the altar of God. It is truly an entire experience of Body and Soul where the carpet of life is swept from underneath us revealing the eternal reality of the cross and the truth of God’s love for each and everyone of us.

    Using vocal words in the canon would defy this divine reality, it would seemingly bring the events down to a level of speech and thought, rather than action and sacrifice. We must feel with our heart and soul the event taking place, not hear with our ears the words which enact the event. Only silence can penetrate this mystery, with our spirit lifting us above that temporal actions of the priest into the divine and eternal reality of the High Priest: our Lord on the Cross.

    2. The Orientation of the Priest

    Traditionally, the priest has always faced east, standing before the altar leading the people in worship and sacrifice with Christ our Lord to our Father in heaven. The east is where the sun rises, a symbol of the rising of the Son of God, His glorious resurrection and the direction of His eventual second coming. Standing before the altar, the symbol of the offering of the sacrifice is clear to all, elevated slightly above the nave and the rest of the sanctuary, lifting the sacrifice heavenward in an act of worship and atonement.

    Please note that I do not use the terminology “facing the altar” or “facing the people”, because this inevitably confuses why the priest is standing before the altar and not behind it. The people who are there are following the priest along the path to eternal life. Holy Mass is not merely a meeting or an act of praise with the presider guiding the people: it is an act of sacrificial worship and a step to eternal life. We join the priest, who acts in “persona Christi”, in offering the sacrifice, Christ Himself, to God the Father. The entire proceedings are a spiritual affair: we leave our worldly worries behind at the doorway and enter a place of dimmed lights, hushed tones and reverence towards the divine presence within. The priest leads the people in prayer and worship, we follow as his obedient flock, as a shepherd leads his sheep to green pastures and lush grass. It allows for intense prayer: the priest concentrates on the offering of the sacrifice, the people concentrate on following him and lifting their hearts up to the Father with their Lord on the cross. The interaction between priest and the faithful is minimised so that the interaction between the soul of each person and God is emphasised through the sacred liturgy.

    3. The Prayers at the Foot of the Altar

    The job of a priest is awesome indeed. Offering any sacrifice to God is a heavy responsibility. When the offering is also God, with God acting through your ordained ministry, the responsibility is beyond human comprehension. Suppose that when walking you turned a corner and met a priest talking to an angel, who would you greet first? The angel would be constantly in the presence of God, sinless and perfect in his praise and worship of God. However, you should greet the priest before the angel, due to the dignity of his vocation: in his capacity, he acts in “persona Christi” bringing forth the graces of God’s sacraments, whilst an angel merely carries messages from God, he does not act in His place.

    Due to this immense responsibility, in the traditional Latin Mass the priest approaches the altar with extreme care and awareness of his own unworthiness. Once the altar pieces are in place, he positions himself at the level of the surrounding sanctuary (normally two or three steps down from the altar itself) and starts the prayers at the foot of the altar. These include psalm 42, which pleads for God’s grace, preparing the priest for his actions on the altar. He then, without moving forwards, bows down low and prays the Confiteor confessing to God – thrice – that through his own fault he has sinned exceedingly in thought, word and deed. The server pleads to God: “May almighty God have mercy on thee and, having forgiven thee thy sins, bring thee to life everlasting” – asking God for his forgiveness for the poor and frail priest! The Confiteor is then repeated, this time for the server and the faithful present, thus signifying a deep divide between priesthood and laity. The priest continues, with the server, in asking for God’s help, and finally – after all this – ascends the steps to the altar with the prayer:

    “Take away from us our iniquities, we beseech Thee, O Lord; that, being made pure in heart we may be worthy to enter into the Holy of Holies. Through Christ our Lord. Amen.”

    These proceedings reflect the theology of the Old Testament priesthood, thus providing us with a continuation and fulfilment of that priesthood in the person of Christ Himself, and the priests He has since ordained.
    Once the Mass is over, the priest again bows low and offers up the following prayer:

    “May the lowly homage of my service be pleasing to Thee, O most holy Trinity: and do Thou grant that the sacrifice which I, all unworthy, have offered up in the sight of Thy majesty, may be acceptable to Thee, and, because of Thy loving-kindness, may avail to atone to Thee for myself and for those for whom I have offered it up. Through Christ our Lord. Amen.”

    Thus the priest further emphasises his inadequacy in offering the divine victim, recognising his human frailty before God and all those present. For me, this is a great expression of humility before Almighty God, who in His own infinite humility in the incarnation, instituted the Catholic priesthood in offering up the Eucharist until the end of the age.

    4. The Use of Latin

    The use of Latin in the Mass is very important. Firstly, it is the language of the Roman Catholic Church. It symbolises a real and true unity across the many countries in which the Mass is celebrated. Wherever you may enter a church in the Latin rite, the whole proceedings will be instantly familiar to you, bringing home an immediate feeling of the universality of the Church. The Catholic Church is truly universal, not fixed to one country or culture, but transcends national boundaries by simply using the same language, symbolising its unity in faith, authority and sources of revelation.

    Secondly, Latin is a dead language. It is no longer used as a language in the streets, therefore it has stopped evolving as vernacular languages constantly do. Due to this, the meaning of the words has set in stone, and the liturgy does not need to be revised to avoid offending certain people for whom the words have taken on a different meaning. The dead language has, then, been turned into a “liturgical language” used for the liturgical celebration of the Church. This is not specific to the Latin rite either. The Russian Orthodox Church (although separate from Rome) uses Church Slavonic and the Greek Orthodox Church uses ancient Greek. When the Church was setting up in China, the missionaries there appealed to Rome that the locals truly could not use Latin as a language since it was so foreign to them. Subsequently, the Vatican decreed that the Church there could use ancient Chinese that was no longer in use, thus retaining its liturgical usage.

    Thirdly, Latin exhibits a beauty and elegance that seemingly no vernacular tongue can match. Dietrich von Hildebrand, described by Pope Pius XII as a doctor of the 20th century Church, describes this feature as follows:

    “Latin is in a unique position here. First, Latin grammar has an uncommon clarity, and to know it, is an incomparable training for our thinking. Secondly, Latin has a great beauty, a spiritual nobility of quite a special sort. This is also true of medieval Latin, which moreover produced works of highest poetical art and religious depth. One need only think of the Dies irae, which is ascribed to Thomas of Celano, of Jacapone da Todi’s Stabat mater, of the magnificent hymns of St. Thomas Aquinas, of the sequences of Venantius Fortunatus, and many others. The role which Latin has played in history, especially in the liturgy, and the universality which it possesses, gives the learning of Latin quite a special place” (“The Devastated Vineyard” by Dietrich von Hildebrand, page 90).

    Latin is not a barrier, but an invitation into the treasures of the Church, both in liturgy and music. It cannot be seen as an obstacle to potential converts, or to the laity in general, as the personal piety of the laity, and conversions to the Church and also to the priesthood, were flourishing when the Latin Mass was the jewel in the Church’s crown.

    5. The Gregorian Chant

    As many popular music charts have indicated recently, the Gregorian chant appeals to the soul now as much as ever. Its sublime effect on the proceedings of the Mass is never to be underestimated; it truly seems to be music from heaven. St. Gregory the Great, a Pope in the 6th/7th centuries, organised the Church music and formally defined the Gregorian chant as it has been sung in the Church ever since. St. Pope Pius X further reformed the music of the Church, making a revision “not of the text but of the music. The Vatican Gradual of 1906 contains new, or rather restored, forms of the chants sung by the celebrant, therefore to be printed in the Missal” (according to Adrian Fortescue). Furthermore, the Second Vatican Council stated that the Gregorian chant “should be given pride of place in liturgical services” (Sacrosanctum concilium, 116). Mozart himself said that “he would gladly exchange all his music for the fame of having composed the Gregorian Preface”, and Berlioz, who himself wrote a grandiose Requiem, said that “nothing in music could be compared with the effect of the Gregorian Dies Irae” (Latin Mass Society, newsletter no. 111, page 23).

    The Gregorian chant connects with the soul, not the mind of the believer (and non- believer alike). Without any knowledge of the traditional Mass, people are somehow drawn towards the divine mysteries of the Church through the treasure of the Gregorian chant. I personally was at a loss in the first Latin Mass I ever attended – a Low Mass – but subsequently I attended a Sung Mass with the Gregorian chant and to term a present day saying: “I was blown away”! It has a mysterious quality that silences the senses and speaks directly to the spirit within, connects with that ever- present desire – however suppressed – that yearns for the “unmoved mover” Who answers all our questions and aspirations. The chant, an expression of most religions, has seemingly found its perfect setting in the Holy Sacrifice of the Mass – not the concert hall or opera house – but praising the merits of our Saviour before the Holy of Holies.

    6. The Reception of Communion

    The reception of Communion within the rubrics of the traditional Mass takes place within a sublime and prayerful world, separated from the rushed and physical world in which we live. Again, in the traditional Mass the physical actions of the faith are downplayed so that the spiritual aspect of our existence can revel and take precedence.

    Firstly, the priest receives Holy Communion at a distinctly separate time apart from the servers and laity. He recites many beautiful prayers whilst consuming the Host and Chalice, before turning his attention to the servers and faithful present. He does, for instance, have a separate “Lord, I am not worthy…” prayer, said three times with the bell ringing. When he turns to the faithful, holding a piece of the Sacred Host towards them, he says “Behold the lamb of God…”, and the faithful then recite their own “Lord, I am not worthy…”, further emphasising the different roles of priest and laity.

    Secondly, when the faithful themselves receive Communion, they receive It kneeling at the altar rail, and directly onto their tongue. This is very significant. Receiving Communion whilst kneeling means that the faithful line up in a row before the sanctuary, and thus have time to prepare themselves for this most sacred of events: coming into spiritual and substantial union with Christ Himself. The communicant kneels down, and whilst he waits for the priest to make his way around, he can settle himself, concentrate on the upcoming Communion with our Lord praying intensely. When it is his turn, the priest says the prayer: “May the body of Our Lord Jesus Christ keep your soul until life everlasting. Amen”. This means, besides the beauty and the significance of the words themselves, that the priest says the word “Amen” so that the communicant need not invoke his voice to receive the King of Kings, allowing a constant stream of prayer and thanksgiving to flow from soul to Saviour. The communicant simply needs to expose his tongue, and his side of the proceedings is complete. Upon receiving Christ, he can continue praying for a little while, and only then does he need to return to his seat, leaving room for the next communicant. Moreover, having the priest come over to the communicant signifies that Christ comes to us, feeds us with His own divine life, whilst we wait kneeling and unmoving like little children totally dependent on His love, mercy and compassion. This is the message of the Gospel: to become like little children, submitting our wills to His and depending totally on Him for everything. We cannot even feed ourselves without Christ’s help, and the action of Communion in the traditional manner demonstrates this in a very vivid manner.

    Finally, receiving Communion directly on the tongue further increases the spiritual tranquillity of the whole act. The priest, as above, performs the entire action in dealing with the sacred Host Itself. The danger of leaving particles of the Host on one’s own hands is then avoided, as well as more worrying sacrileges such as the Host being taken away, uneaten, dropped on the floor, or even taken to Satanic gatherings. If a particle is left on the communicant’s hand, however small and invisible to the eye, It is still our Lord entire, Body, Blood, Soul and Divinity. He remains fully present in the species of the Host until the Host looses the accidents of bread. Moreover, if we are allowed to directly touch the Blessed Sacrament, we may become casual or careless in our Lord’s presence, thus giving rise to irreverence before the great Sacrament Itself. Only allowing the priest to touch the Host also increases our respect and reverence, not only of the Blessed Sacrament, but of the priesthood itself and all who take it upon themselves to enter it. The sacred Host is, after all, the very substance of God incarnate: something that demands our extreme reverence and holy fear. To restrict touching It to the priesthood alone can only increase these virtues.


    I have covered six main qualities of the traditional Latin Mass above which are certainly not the only ones. The whole ethos of the Mass exhibits a profound belief in the doctrines of the one true Church of Christ, especially in the Holy Sacrifice and the substantial presence of our Lord, Jesus Christ. The beauty and Catholicism of the offertory prayers confirm the doctrine of the Catholic faith in the upcoming consecration, unambiguously. The rubrics of the Mass are very strict; when we attend a Latin Mass we know what to expect – it depends on the Mass itself, not the personalities that surround it. The repeated genuflections of the priest before the sacred species confirm this most divine presence, as well as his repeated signs of the cross over It, before and after the consecration. Before the consecration these actions serve to bless and set the offering apart, after the consecration to signify the reality of the cross before us and its redemptive quality. The genuflections within the creed and the last gospel emphasise our belief in the profound doctrine of the incarnation, the centre of the Christian faith. The striking of the breast, during the Confiteor and the “Lord I am not worthy…” bring in all aspects of our existence to increase our realisation of own unworthiness and the infinite love and mercy of God.

    The traditional Mass is not something heard or listened to. It is a divine experience seeping with the beauty of the faith, that touches the heart and soul of all who participate, giving a boost to the spirituality of those who immerse themselves in its mysteries. The secular world is the battleground; the Mass is the place that charges us up, puts us in touch with our divine mission and motivates us to face the prince of this world with great courage and faith.

    I conclude by completing the quote by Cardinal Newman, who composed the following glowing praise for the Holy Sacrifice of the Mass, speaking by the mouth of his hero in his book “Loss and Gain”:

    “I declare, to me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses forever and not be tired. It is not a mere form of words, it is a great ACTION – the greatest action that can be on earth. It is not the invocation merely, but, if I dare use the word, the evocation of the Eternal. He becomes present on the altar in flesh and blood, before Whom the angels bow and devils tremble. This is that awful event which is the end and is the interpretation of every part of the solemnity. Words are necessary, but as means, not as ends; they are not mere addresses to the throne of grace, they are instruments of what is far higher, of consecration, of sacrifice. They hurry on, as if impatient to fulfil their mission. Quickly they go – the whole is quick; for they are all parts of one integral action. Quickly they pass, for the Lord Jesus goes with them, as He passed along the lake in the days of His flesh, quickly calling first one and then another. Quickly they pass, because as the lightning which shineth from one part of the heaven unto the other, so is the coming of the Son of man. Quickly they pass; for they are as the words of Moses, when the Lord came down in the cloud, calling on the name of the Lord as He passed by: ‘The Lord, the Lord God, merciful and gracious, long-suffering and abundant in goodness and truth.’ And as Moses on the mountain, so we, too, ‘make haste and bow our heads to the earth, and adore.’ So we, all around, each in his place, looking out for the great Advent, ‘waiting for the moving of the water,’ each in his place, with his own heart, with his own wants, with his own thoughts, with his own intentions, with his own prayers, separate but concordant, watching what is going on, watching its progress, uniting in its consummation; not painfully and hopelessly following a hard form of prayer from beginning to end, but like a concert of musical instruments, each differing but concurring in a sweet harmony, we take our part with God’s priest, supporting him, yet guided by him. There are little children there, and old men, and simple laborers, and students in seminaries, priests preparing for Mass, priests making their thanksgiving; there are innocent maidens, and there are penitent sinners; but out of these many minds rises one eucharistic hymn, and the great Action is the measure and the scope of it.”
    (Response) Where can you get the book?

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